Category Archives: Graduate

Perspective-Taking

Introduction for Educators

An old and well-known parable tells the story of a group of blind men and an elephant. Originating in the Indian subcontinent, many versions have evolved over time, but each telling carries the same core element:

A group of blind men encounters an unfamiliar animal – something they are told is called an elephant. Curious about the creature but unable to see its form, they resolve to learn what it is by touch. Reaching out, each man felt a different part of the animal. The first man’s hand fell on the trunk – he proclaimed that the animal must be like a thick snake. The second man’s hand reached out toward a leg, arguing instead that the elephant must be like a pillar – a tree. Another, feeling the wing-like shape of the ear, quibbled that the elephant must be like a bat, to the disagreement of the man touching the tail, who stated the elephant was rope-like. So on and so forth, each man stepped forward, felt another part of the animal, and declared its nature. Lacking knowledge of the whole picture, however, none truly knew the elephant.

The moral of the story is to problematize the truth each man arrives at with their limited perception. While their subjective experiences may be real for them, that does not constitute an objective truth of the elephant itself. To bring the story into focus with the concept of perspective-taking, in some versions, the blind men gather together to share their experiences to create a greater picture of the elephant as a whole, arriving at a shared truth. By understanding what the other participants were doing and their rationale behind it allowed them to incorporate a broader and more creative understanding of the elephant.Perspective-taking, the “active cognitive process of imagining the world from another’s vantage point or imagining oneself in another’s shoes to understand their visual viewpoint, thoughts, motivations, intentions, and/or emotions,” is a process by which we can “try on” another’s perspective. It has important implications for cognitive development, and can broadly benefit social interactions and conflict, yet it also has elements that can be problematic in groups and organizations.[1] This activity, designed for educators working with high school or college students and organizational facilitators, seeks to teach what perspective-taking is and is not, its potential benefits, and its challenges and pitfalls

[1] Ku, G., Wang, C. S., & Galinsky, A. D. (2015). The promise and perversity of perspective-taking in organizations. Research in Organizational Behavior, 35, 79–102. https://doi.org/10.1016/j.riob.2015.07.003

Overview

Learning Goals

The goal of this workshop is to help participants:

  • Practice visual and conceptual perspective-taking to understand how to apply it in their everyday lives.
  • Understand how it can generate shared understanding and creative solutions to problems.
  • Understand some of the pitfalls of perspective-taking, including stereotyping, caricature, and preferential treatment.

Importance in Peace Education

Perspective-taking is an important element in peace education as it can help us to better understand the motivations of others as well as their worldviews on values such as justice, mercy, and equity. At its best, perspective-taking can reduce stereotyping and prejudice, improve the potential for creative solutions to conflict, and evoke empathy between adversaries in conflict. Conversely, in certain contexts, perspective-taking can increase prejudices and stereotyping, lead to preferential treatment, and deepen conflicts. Understanding how perspective-taking works, as well as the elements contributing to its positive and negative outcomes, can help individuals, leaders, and organizations navigate conflict constructively.

Target Audience

This workshop is designed for high-school-aged students and above. Aside from its use as a conceptual skill, perspective-taking is a developmental skill that children learn as they grow into adulthood. Drawing from Piaget’s theory of cognitive development, perspective-taking as a developmental skill takes shape from ages seven to twelve but improves as time goes on. Accordingly, this workshop assumes that the basic skillset of perspective-taking is already present, with the activity exploring that skill and its complexities.

Accessibility Note

Current research notes that some people with attention deficit hyperactivity disorder, comorbid with conduct disorders, or autism, may have difficulty engaging in perspective-taking[1]. While there is new research exploring teaching perspective-taking these populations[2], those approaches are beyond the scope of this workshop. As such, this exercise may not be suitable for groups with these individuals.

[1] See: Marton, I., Wiener, J., Rogers, M., Moore, C., & Tannock, R. (2009). Empathy and Social Perspective Taking in Children with Attention-Deficit/Hyperactivity Disorder. Journal of Abnormal Child Psychology, 37(1), 107–118. https://doi.org/10.1007/s10802-008-9262-4 or Reed, T., & Peterson, C. (1990). A comparative study of autistic subjects’ performance at two levels of visual and cognitive perspective taking. Journal of Autism and Developmental Disorders, 20(4), 555–567. https://doi.org/10.1007/BF02216060

[2] Pearson, A., Ropar, D., & Hamilton, A. (2013). A review of visual perspective taking in autism spectrum disorder. Frontiers in Human Neuroscience, 7. https://www.frontiersin.org/articles/10.3389/fnhum.2013.00652

Timing and Phases

This workshop consists of three phases, totaling about 60-90 minutes:

  • Phase 1 (10-15 Minutes): Introduces perspective-taking as an idea through visual perspective-taking, using optical illusions and an image of a dove to bridge the visual and conceptual.
  • Phase 2 (20-30 Minutes): Engages participants in exploring their own responses to a scenario, followed by a discussion on different elements informing their perspectives.
  • Phase 3 (30-45 Minutes): Participants revisit the scenario, role-playing slight modifications to their perspectives. This is followed by discussion questions and reflection.

Recommended Group Size

This exercise can accommodate various group sizes, with more participants requiring more time for each phase. However, a minimum of 4 to 5 participants is recommended to allow for a diversity of answers.

Materials Needed

The optical illusions for the first phase are provided here, though similar interpretive illusions can be utilized for the same effect. For the second and third phases, a whiteboard and sticky notes or a virtual platform with whiteboard and sticky note capacity is ideal so that participants can see responses. However, reading the scenarios aloud and having participants write their answers themselves is also feasible. Additionally, there are two handouts found in this document that are meant to be used in Phase 2 onward.

Potential Modifications

  • Different optical illusions can be employed to give participants increased experience in visual perspective-taking. Additionally, in face-to-face settings, having students engage with a complex physical object in a circle is another way to explore visual perspective-taking.
  • In large groups, Phases 2 and 3 can be done in small groups of 5 or more people.
  • A fourth phase, exploring real-life or historical scenarios and conflicts, can be implemented using the ideas discussed in the prior phases. This can allow educators to incorporate this exercise into existing curriculum.

Additional Resources

Phase 1: Visual Perspective-Taking

The first phase of this activity seeks to ground the process of perspective-taking using a visual approach, which can provide a foundation for what the participants will engage in later in subsequent phases. Visual perspective-taking is thought to emerge before conceptual perspective-taking[1], so its process may be more familiar to participants than its conceptual counterpart.

[1] Gabbe, A., & Marquis, C. (1996). The Emergence of Visual and Conceptual Perspective-Taking Abilities in Three and Four-Year-Old Children. https://doi.org/10.1184/R1/6712607.v1

Process

Have students look at the following images, responding with what they see in each image.

Some possible interpretations:

  • Two fish swimming in the sea
  • A woman looking to the left

Some possible interpretations:

  • An elderly man and woman facing each other
  • A younger man and woman sitting in a landscape scene
  • A candlestick or chalice

Discussion Questions

  • What did you see in each image?
  • Do you see anything else in the image?
  • If you did not see something that someone else saw, can you adjust what you are looking at to find what they identified?
  • Why do you think you saw what you did in the images?

Lecture Notes

  • Perspective-taking is the process by which we try on a different perspective to gain greater information about the world around us.

A common way we engage in perspective-taking is visually, wherein our position in the world determines how we interpret what is there. For example, take a look at this image:

This sculpture by the artist Michael Murphy is made from a series of floating balls. From one angle, all we can see is the cone of balls. However, by standing at the right place in the room, the balls resolve into the image of an eye.

In addition to its visual dimension, perspective-taking also has a conceptual component, where we ascribe ideas, meaning, and motivation to objects and actions. For example, take a look at this sculpture, also created by Michael Murphy:

Reflection Questions

Ask the participants to reflect on the following questions quietly to themselves:

  • What do you see in this image?
  • What does this image mean to you?
  • What do you think the artist was trying to portray in this image?
  • Is there another way this image could be interpreted?

Finishing up Phase 1

  • By taking on a different perspective, we can gain new information about a situation or expand our understanding of possible interpretations.
  • Visually, this can help us make sense of scenes and images.
  • Conceptually, it can allow us to better interpret and understand the actions, motivations, and intentions.
  • In the next phase, we will explore our own interpretations of a series of scenarios, then reflect on those interpretations.

Additional Resource:

“Visual Perspective Taking” An article and YouTube video discussing different elements of visual perspective-taking.

Phase 2: Interpreting Conceptual Perspectives

The second phase of this activity explores participants’ responses to three different scenarios. In this phase, the participants are focused on reflecting on their responses, which will be revisited in the third phase as they imagine differences in their own perspectives.

Process

  • Distribute a set of sticky notes and writing utensils to each participant.
  • Prepare a whiteboard space with the scenario and provide space to allow participants to place their sticky notes on each section.
  • For each of the following scenarios, have the participants write their answers to the questions on sticky notes, then place them in the appropriate section.
  • After the participants have finished with the scenario, use the subsequent Guided Conversation sections to reflect on the answers.

Scenario

James is caught stealing from Steve’s store. Steve calls the police, but not before physically assaulting James. When the police arrive, they arrest James and send him to jail.

Have the participants use three sticky notes, writing the name of each actor in the scenario at the top (Emile, Steve, the police). Then, have them answer the following questions for each actor:

  1. Was what they did morally right? What influenced this conclusion?
  2. Why do you think the actor engaged in their particular action?
  3. What do you think was the most important factor influencing the actor’s actions?

Guided Conversation

Take five minutes to allow the participants to reflect on everyone’s responses. Then, open the discussion with the following questions:

  • Was there anything surprising about the responses?
  • Was there anything you anticipated in the responses?
  • Were there any responses you did not understand?
  • Were there any responses you disagreed with, and why?

As you progress through the reflection questions, highlight in the discussion different elements of perspectives that may come up, such as the dimensions found on the handouts found on the following pages:

Lecture and Additional Resources

When the reflection questions have been answered or time constraints require moving on, distribute the handouts to each participant and discuss how each dimension plays a part in affecting perspective-taking. The third phase will allow participants to generate their own interpretations of these handouts, with broader meaning generated in the reflection portion of the exercise. However, here are some additional resources to provide additional information on the subject:

Phase 3: Playing with Perspective

This final phase revisits the scenario in Phase 2, having participants imagine slight alterations to the situation to explore each of the dimensions listed in the first handout.

Process

Like Phase 2, a whiteboard is used alongside sticky notes to collect participants’ answers in this phase. Have participants write their answers and post them to the whiteboard for each of the four alternative scenarios. After the scenarios are explored, there is a second reflective conversation.

Scenarios

For each scenario, have the participants use three sticky notes, writing the name of each actor in the scenario at the top. Then, have them answer the following questions for each actor:

  • Was what they did morally right? What influenced this conclusion?
  • Did the change in the scenario change your previous answer? How and why?
  • What do you think is the most important factor affecting perspective in this new scenario?

Scenario 1

Emily is caught stealing from Steve’s store. Steve calls the police, but not before physically assaulting Emily. When the police arrive, they arrest Emily and send her to jail.

Scenario 2

In this scenario, imagine that you are a law enforcement officer responding to the situation. James is caught stealing from Steve’s store. Steve calls the police, but not before physically assaulting James. When the police arrive, they arrest James and send him to jail.

Scenario 3

James is caught stealing from Steve’s store. This is the fifth time Steve has caught James stealing this month. Steve calls the police, but not before physically assaulting James. When the police arrive, they arrest James and send him to jail.

Scenario 4

James, desperate to feed his family, is caught stealing food from Steve’s grocery store. Steve calls the police, but not before physically assaulting James. When the police arrive, they arrest James and send him to jail.

Reflection and Guided Conversation

After the participants have completed the scenarios and posted their sticky notes, give them five minutes to review the responses. Then, have them reflect on the following questions in a group discussion:

  • How did the answers change in each scenario? Did you notice anything surprising?
  • What dimension of perspective-taking might apply to each scenario?
  • Did you notice any stereotyping, caricature, or preferential treatment in the answers?
  • How might perspective-taking affect how you look at incidents or events in the world?
  • How might perspective-taking benefit you when dealing with conflict?
  • Are there any risks or drawbacks to engaging in perspective-taking?

Materials

core-documentDownload
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Emotional Intelligence and Social Change: A Conflict skills and Peacemaking Activity

Designed by Haley Nelson

Background Information/Content

Social-emotional intelligence is central to group dynamics and conflict. Yet, the exploration of emotional intelligence has historically been neglected in conflict resolution and peacebuilding conversations. The absence of emotional intelligence in conflicts can hinder the ability of group members to navigate conflict, empathize with others, and manage relationships (Schwarz, 2002). When emotional intelligence is considered at the educational, community, or organizational level, group members can learn to harness emotion as a community and relationship-building tool. 

This activity explores emotional intelligence in the context of peace education. This resource draws inspiration from psychology surrounding basic emotions, emotional wheels, and the origin of emotion, as well as conflict resolution and peacebuilding research on emotions and conflict. This activity will support groups in building emotional intelligence on the individual and social levels. This activity is best suited for groups with a common goal, such as classrooms, community organizations, and the workplace. 

Context

This activity is best suited for high school students, college-age students, and adults. The formality of this activity can be adapted to various education settings but is neutral in its current form. The activity consists of two phases and will take approximately 30 minutes per phase. The length of this activity may vary based on the depth of conversation and volume of participation.

The recommended group size for this activity is 4-10 people. Increased group size will increase duration, allowing for productive discussion among group members. This activity would be best supported by materials such as sticky notes, note cards, and a whiteboard. However, this exercise can be completed via discussion if these resources are unavailable.  

Implementation

Phase 1: (30-45 minutes)

  • Introduction (2-3 minutes):
    • Check-in on how everyone feels and provide context for the activity. The purpose of this introduction is to reveal that the activity will encourage participants to explore and feel daily emotions and tensions. The facilitator should consider establishing a controlled environment where participants can explore emotions safely. An introductory example is below:
      • “We are going to discuss emotional intelligence today. We will create a respective space where real emotions will be felt. We will go through a simulation designed to stimulate emotions in scenarios we feel and experience in our daily lives. If you feel the need to leave the space and take a moment for yourself at any time, please do so.”
    • Describe the importance of emotional intelligence when managing conflict.
  • Description of the simulation (2-3 minutes):
    • Provide a scenario, context, and discussion topic for the audience to navigate. For example, a dinner party discussing travel destinations will generate conversation and allow participants a neutral space to explore group dynamics.Assign behavioral traits to participants randomly: Each participant will be assigned a behavioral trait designed to generate tension, such as disruptive talking, withdrawn behavior, and overconfidence.
      • Remind the audience of the difference between behavior and emotions, acknowledging that the two might contrast during the activity.
    • Open conversation for any questions before beginning.
  • Simulation (5-10 minutes)
    • During the simulation, the participants will navigate conversation based on the context and behavioral traits provided. The group may find conversation challenging to navigate. The goal of the activity is to stimulate emotions based on the role assigned, the conversations at hand, or the simulation process itself.
  • Reflection: (5 minutes)
    • Take a moment to check in with participants. Ask the audience to write down the emotions 1. They experienced during the role play, and 2. Behaviors that might indicate others’ emotions during the role play.
    • After listing these observations on a notecard or sticky note, ask participants to hold on to their observations for later conversation (allowing for further engagement).
  • Individual level emotional intelligence? (10 minutes)
    • Define emotional intelligence and explore this definition with the group. This is an excellent opportunity to explore the meaning behind emotional intelligence and clarify any questions regarding emotional intelligence with the group.
    • After defining emotional intelligence, ask group members to share the emotions they experienced during the activity with the group. Ask the participants to refrain from group observations until later.
      • Explore the dynamic of emotions as they arise:
        • Did members experience multiple emotions? Were those emotions in harmony with one another? Did emotions contrast with each other?
  • Clarifying emotions (5-10 minutes):
    • Explore the six types of basic emotions with the group: happiness, sadness, fear, disgust, anger, and surprise. Then, explore emotions surrounding each category and how they can be clarified. For example: if a group member said they felt anxious during the activity, that emotion is rooted in fear. If a group member said they felt confused during the activity, that emotion is rooted in surprise. Provide examples for the group, then encourage them to clarify their shared emotions.
    • Many people, especially adults, will provide cognitive responses instead of emotions when asked how they feel. When asked what emotions they experienced during the activity, a cognitive response might sound like, “conversations about travel destinations made me want to explore the world more.” Encourage using the emotional wheel to assist participants in shifting from cognitive responses to emotional responses. Ask the participant which emotion is closest to their shared responses and explore the differences between emotion and cognition.

Phase 2: (20-30 minutes)

  • Social-emotional intelligence (5-10 minutes)
    • Ask the participants to return to their group observational notes from the simulation. Consider what cues clued participants in on how others might have been feeling.Provide an example of clarifying social emotions for the group:
      • “I noticed that you were quiet after being interrupted. Did you feel sad after that interaction?” Remind the group to use core emotion vocabulary (i.e., happiness, sadness, fear, disgust, anger, surprise). 
      Allow group members to share their observations. 
    • Open a conversation to ask how accurate their observations were.
      • Why were my observations accurate/inaccurate? How can I better observe the emotions in groups moving forward? 
  • Further discussion: (15-20 minutes)
    • Allow the group to discuss their experience with the activity in depth. Some guiding questions might include the following:
      • How aware were you in the moment of your emotions? Others? 
      • Did you feel that other people’s emotions influenced yours? How? 
      • What were your reactions to emotions in the space? How/did you respond?
      • How might you manage your reactions to emotions in the future?
      • How difficult was it to clarify your emotions? 

Ways to further curate this resource:

  • Pedagogies that may strengthen this resource involve increased participant freedom and involvement. The facilitator of this exercise might increase participant freedom by:
    • Encouraging group members to create their own activities to stimulate everyday emotions.
    • Allowing group members to redefine emotional intelligence for themselves based on shared interests.
    • Involving artistic approaches to exploring emotions such as paintings, photographs, and music. This might involve emotional responses to the creation of artwork or the observation of artwork.

Goal

This activity focuses on individual and social-emotional intelligence. As an introduction to emotional intelligence, this activity seeks to help group members identify their emotions and clarify the origin of their emotions. At the group level, this activity seeks to increase awareness of group dynamics through observations and clarification of emotion. This activity aims to foster empathy and connection within a group by discussing the relationship between individual and social emotions. 

After this activity, participants should be able to:

  • Understand the meaning and importance of emotional intelligence.
  • Clarify everyday emotions into the six core emotions.
  • Have increased awareness of the connection between individual and social emotions. 

Resources

Further reading on emotions and insight into social-emotional intelligence:

Cherry, K. (2022, December). The 6 types of basic emotions and their effect on human behavior. Verywell Mind. Retrieved 2022, from https://www.verywellmind.com/an-overview-of-the-types-of-emotions-4163976 

The Junto Emotion Wheel. The Junto Institute. (2022). Retrieved 2022, from https://www.thejuntoinstitute.com/emotion-wheels/ 

Schwarz, R. (2002). Ch 12: Dealing With Emotions. In The skilled facilitator: A comprehensive resource for consultants, facilitators, managers, trainers, and coaches. essay, Jossey-Bass. 

Jane Goodall’s Roots and Shoots

POSTED ON BEHALF OF MAGGIE MEENEHAN

One of my hero’s growing up was Dr. Jane Goodall.  Here  was a woman,  in the 1960’s, going alone into the jungles of Tanzania with a notebook and binoculars to study and save chimpanzees.    Though she met with extraordinary difficulties and  fierce adversaries,  she has managed to become a world renown authority on chimpanzees, conservation and the plight of endangered species world wide.  She is a  leading, passionate force for change  through her Jane Goodall Institute and now has “branched out” to schools and youth with her Roots and Shoots Foundation.

Dr. Jane Goodall, a UN Messenger of Peace, is the founder of the Roots and Shoots Program,  which aims to connect students to real life service learning projects of THEIR OWN choosing.   Dr. Jane began this project in 1991, when she felt that she was meeting so many children who lacked hope for the future.  She wanted to provide them with an opportunity to “think about the world’s problems and to roll up their sleeves and tackle them”.

The projects are curriculum based and encourage youth (elementary through college) to make positive changes in their own communities.  The projects have three components, which intertwine and depend upon one another.  These components are: the animal community, the human community and the environment.  The students are encouraged to identify problems and to take concrete actions.  In working together students gain a sense of empowerment that comes from helping others.

The service projects are looked upon as campaigns.   Students act as participants but also as leaders.  The web site gives examples of past campaigns but encourages students to create meaningful projects for their own communities.   The site has lesson plans to access,  Professional Development Opportunities, Career Explorations, Projects of the Month, Extension Activities,  and Family Activities.

The web site helps students and teachers plan, organize, coordinate and report/register their campaigns.  An important aspect of the projects is engaging the communities.  Dr. Jane believes that community centered conservation programs are critical to the survival of endangered species and conservation projects.

This is a fantastic, well designed and well supported,  global environmental humanitarian youth program that relies on the participants to “work for peace”.  Currently operating in  120 countries with 150,000 members, www.rootsandshoots.org  is an amazing example of a peaceable skill building and community building organization.  As we “Peacelearners” say…..check it out!

Nonviolent Campaigns: Who, What, Where, When, How and Why

POSTED ON BEHALF OF MONICA SHAH

So you’ve heard a lot about the powers and successes of nonviolent action but are ready to move beyond teaching about Gandhi and Dr. King. Thanks to a project lead by George Lakey at Swarthmore College, there is now a Global Nonviolent Action Database that provides free access to the hundreds of cases of nonviolent campaigns around the world! The intention of this database is, “to assist researchers and activists to better understand the special features of nonviolent struggle that make it different from both violent and institutional politics.”

Lakey, the Director of Training for Change and 2010 Peace Educator of the Year, explains that “nonviolent action” is also commonly known as:

  • People Power
  • Civil Resistance
  • Satyagraha
  • Nonviolent Resistance
  • Direct Action
  • Pacifica Militancia
  • Positive Action

The database includes cases that are identified as “campaigns”, not “movements” because they consider movements to typically consist of a number of campaigns aimed at achieving large goals. Also, the campaigns researched are ones that have reached their point of completion. Each “case” is presented as a database file and narrative that describes the issues behind the campaign.

The database can be searched by country, issue, or method used. The campaigns are grouped by the following categories: democracy, economic justice, environment, human rights (religious and women’s rights), national/ethnic identity (and anti-colonial struggles), and peace. You can learn about nonviolent action that took place everywhere from Afghanistan to Norway to Zimbabwe. You can even find campaigns that occurred as early as Before A.D. in Italy to present-day in Egypt. If you are interested in learning about the larger movements, you can search under “Waves of Campaigns” to find information about:

  • African Democracy Campaigns
  • Arab Awakening
  • Asian Democracy Campaigns
  • Colour Revolutions
  • Soviet Bloc Independence Campaigns
  • U.S. Civil Rights Movement

Here is an example:  “Egyptians campaign to oust President Mubarak, 2011”

On this page you will find the time period, the description of the location, the goals, methods and classification of the case. You can also find information about the campaign’s influences, leaders, partners, allies and opponents, order of social groups and the success outcome. Lastly, everyone also has access to the sources used to compile the information to learn even more about the study!

This resource supports three Pillars of Peace Education: 1) Exploring Approaches to Peace; 2) Reframing History; and 3) Transforming Conflict Nonviolently. Students can learn how people around the world aim to achieve peace. Furthermore, they can look at history through the lens of nonviolent actions – narratives that are often left out in schools’ historical texts. Lastly, the database acknowledges that conflicts do exist, and it provides examples of a variety of methods that people use to approach conflict alternatively—nonviolently.

With regard to the uses of the database, the team included this wonderful message: “Strategists, activist organizers, scholars, and teachers will find many uses for the database, as well as citizens wanting to expand their horizons. Even before release to the public, for example, a teacher who knew the database team was using our cases to assist middle school pupils to develop plays. Any school that teaches about the environment, civil rights, or other issues may find the curriculum enlivened by sending students to the database. History students might enjoy doing the detective work of finding the hidden stories in their local area that could be developed into cases. The database also offers an invitation to geographical learning.”

I would recommend this database to be used by students starting in middle school. Though I believe that educators can incorporate this across the curriculum, it may be most welcome in a Social Studies department. The information provided can truly open students’ eyes and deepen their understanding of nonviolence, people power, and the struggle for justice, peace, democracy or human rights around the world. It may also help students to better grasp the tactics and motivations of the ongoing “Occupy” movements across the nation. The database can be utilized in formal or community education settings. It can also be beneficial for organizers of future movements to scan through this database to examine the advantages or limitations of strategies of previous campaigns.

The 2011/2012 Peace Exchange and Other Peaceful Art Projects

The Create Peace Project is a San Francisco-based non-profit that uses art and creative expression to help create more peaceful schools and give students a creative outlet and teach them peacebuilding skills.

For the third year in a row, The Create Peace Project is engaging in “The Peace Exchange”, a program that allows students from the US and Canada to exchange messages of peace with students in Ghana, Colombia, and Nepal. Students write notes and draw pictures on special post cards, and The Create Peace Project delivers the messages to partner students around the world and returns with messages from those students. Download a flyer!

From the Create Peace Project website:

“The Peace Exchange is about connection. Connecting students to themselves, their creativity, their wisdom, and their heart. Connecting students to each other, in their classrooms, in their schools, and across continents as we bridge cultural, religious, and racial boundaries to inspire and enrich the lives of all participants.

The Peace Exchange gives students a platform from which to raise their voice for peace, acknowledge and honor each other, express themselves through their art and with words with the intention that the power of being peaceful and sharing ones self with another can create a ripple of kindness, love, and possibility felt by young people around the world.”

This project is tailored toward students age 8-18, and can be integrated into a formal school setting on a class-by-class basis or through a school-wide assembly. Resources for both options are available from The Create Peace Project. The exchange allows students to participate in something national and international and creates the space for local and international dialogue about peace.

For smaller groups or informal settings The Create Peace Project has other art options available:

Banners for Peace is a collaborative painting workshop that promotes team building and collaboration through a 10-week workshop that works on the creation of a unique, giant piece of art that is later displayed in a communal area. Beyond building art skills and learning to work as a team, participants have a chance to design something that can inspire peace and create a space for peace dialogue. Download a Flyer!

For a shorter-term project or a more diverse group of participants, check out the Collaborate and Create workshop, a one-day activity that allows participants to bring together objects and art supplies to create a collection of art work through collaborative creative games and activities. One great thing about this project is that it can be tailored to include as more or less emphasis on emotional expression and community building depending on the venue or event.

These resources help to build community and nurture emotional intelligence, allowing participants to express their feelings and ideas in a safe and welcoming space and explore the meanings of peace in a community setting.

Get your school involved! Or for more information contact: info@createpeaceproject.org

Peace Week 2011

Peace Week 2011 is a free global telesummit that involves “an extraordinary week of presentations, forums, music, art and reflection on the prospects of creating a sustainable culture of peace.”  There are 52 peacebuilders who will be speaking throughout the week.  I learned about this event from one of the people I follow on Twitter.  Upon opening up the website and learning more about the program, I immediately signed up to participate.

I find this to be a great peace education resource to bring into classrooms because its an opportunity to expose students to a global network of peacebuilders working in a variety of fields.  I think its most appropriate for high school, under grad, or graduate students, as I assume from the topics being covered, that the different sessions are somewhat advanced and would require some background in peace studies to fully appreciate or grasp the subject matter.  Given the large amount of presentations and the week-long schedule, I think this program could be incorporated into either formal or nonformal educational settings.

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